All John Henry Twachtman Oil Paintings

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
 

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John Henry Twachtman The White Bridge oil on canvas


The White Bridge
The White Bridge
Painting ID::  54497
  mk235 c.1900 Oil on canvas
  mk235 c.1900 Oil on canvas

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John Henry Twachtman The White Bridge, oil on canvas


The White Bridge,
The White Bridge,
Painting ID::  61224
  The White Bridge, ca. 1895, Minneapolis Institute of Arts
  The White Bridge, ca. 1895, Minneapolis Institute of Arts

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John Henry Twachtman Summer, oil on canvas


Summer,
Summer,
Painting ID::  61225
  Summer, 1897-99, Phillips Collection.
  Summer, 1897-99, Phillips Collection.

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John Henry Twachtman Meadow Flowers oil on canvas


Meadow Flowers
Meadow Flowers
Painting ID::  66157
  ca. 1892 Oil on canvas 84.6 x 56.3 cm (33.31 x 22.17 in)
  ca. 1892 Oil on canvas 84.6 x 56.3 cm (33.31 x 22.17 in)

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John Henry Twachtman Meadow Flowers oil on canvas


Meadow Flowers
Meadow Flowers
Painting ID::  70564
  Medium Oil on canvas Dimensions Expression error: Missing operand for *84.6 ?? 56.3 cm
  Medium Oil on canvas Dimensions Expression error: Missing operand for *84.6 ?? 56.3 cm

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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